New Review in Journal of Modern Literature

Emerging Improvisations

A Review of Paul Jaussen’s Writing in Real Time | Emergent Poetics from Whitman to the Digital

My review of Paul Jaussen’s Writing in Real Time is out. Enjoy it when you get a chance!

Writing in Real Time

Excerpt: In Writing in Real Time | Emergent Poetics from Whitman to the Digital, Paul Jaussen reconsiders the formal idiosyncrasies of the American long poem through contemporary systems theories. Jaussen claims that the immutable architectures that support long poems from Walt Whitman to Nathaniel Mackey cannot be reduced to the play of lyric intensities, nor are they productively approached through extensive genre categorization. Instead of these two methodologies, he argues that their forms interactively emerge; they unfold in real time as adaptive systems with the capacity to critique, rework, and respond to their changing material environments. To read the diversity of the American long poem through systems theoretical discourse is to reveal what Jaussen calls “interactive emergence,” the poet’s sustained creative/critical improvisation with the material dynamism of time.

New Review: Writing In Real Time

Writing in Real Time

Emergent Poetics from Whitman to the Digital. Cambridge UP, 2017. 226 pp. $105.00 hardback.

I just finished a review of Paul Jaussen’s excellent Writing in Real Time | Emergent Poetics from Whitman to the Digital for the Journal of Modern Literature. I highly recommend it! With the Covid Pandemic, I’m not sure when this will be published, but I’ll keep you posted.

Abstract

In Writing in Real Time | Emergent Poetics from Whitman to the Digital, Paul Jaussen reconsiders the formal idiosyncrasies of the American long poem through contemporary systems theories. Jaussen claims that the immutable architectures that support long poems from Walt Whitman to Nathaniel Mackey cannot be reduced to the play of lyric intensities, nor are they productively approached through extensive genre categorization. Instead of these two methodologies, he argues that their forms interactively emerge; they unfold in real time as adaptive systems with the capacity to critique, rework, and respond to their changing material environments. To read the diversity of the American long poem through systems theoretical discourse is to reveal what Jaussen calls “interactive emergence,” the poet’s sustained creative/critical improvisation with the material dynamism of time.